Wood Brace Deflection

April 30th, 2010

Brace Profiles

Brace Profiles
Source: Guitar Bracing

Wood Brace Deflection:
We discussed the method for calculation of brace strength in the last article Brace Strength Analysis, where we had a discussion of the structural calculation methods we use to make brace sizing decisions and adjustments.

Deflection Calculations:
The second factor that we should consider is the amount of deflection or bending the brace will resist. This force is called deflection and the term used to identify it is called the Moment of Inertia and represented by the letter I.

The Deflection Formula:
The formula used in calculation of deflection is as follows:

I = bd³ / 12 where:

b = the width of the brace
d = the depth of the brace

If we look at similar brace sizes as we used in the preceding article on strength analysis, our first example takes a brace of rectangular section that is 8 mm wide x 19 mm high. Plugging these numbers into to formula, we come up with the following:

I = 8 x (19 x 19 x 19) / 12 = 4,572

Again if we decide to modify the brace to 10 mm x 15 mm the calculations would change to:

I = 10 x (15 x 15 x 15) / 12 = 2,812.

This calculation tells us that the second brace has about 61% of the bending resistance as the first brace.

Let’s see what happens when we use a taller brace:

h = 22 mm w = 7 mm

I = 7 x (22 x 22 x 22) / 12 = 6,211,

which is about 35% stronger in bending than the first brace and 221% stronger than the first brace in bending.

Again, these calculations are used only to compare one rectangular brace section to another, without regard to the shape of the brace, the influence the guitar top has on the brace strength and how the remaining braces react with the brace in question.

These calculations are only intended to give you some direction as to what happens to the bending strength of a brace when we change the size and proportions of it.

We can see that by making some minor changes in the width and height of braces, dramatic structural differences take place. This is especially true with deflection. You can see that by keeping the same area of wood and making the brace thinner and taller, it makes the brace much more resistant to the bending forces that are present in the guitar top plate.

Bracing Shapes:
There are several popular bracing shapes you can consider when building your next guitar. Let’s look at a few of them. (They are shown in the diagram at the top of this article).

Rectangular with Rounded Top: This is possibly one of the more popular styles of brace shaping, especially with classical guitars. I have even made a special scraper tool from a metal saw blade with a half-round cut-out to shape the top of my Classical Guitar braces.

Trapezoidal: This type of brace shape has a great deal of merit in my estimation. It gives you a wide stance for gluing and tip resistance at the bottom and minimizes the area of wood by it’s shape. It also maximizes the height of the brace, by reducing the amount of wood material as it progresses toward the top. Round the top of this brace as well.

Parabolic: This is my favorite brace shape for Acoustic Guitar construction. It is glued to the top as a rectangular cross-section and you can simply hand shape it with Finger Planes. It too has a wide gluing surface at the bottom and can be slightly taller due to the elliptical shape.

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2 Responses to “Wood Brace Deflection”

  1. Curt Says:

    Terrific site. What top bracing advice do you have for building a tenor ukulele? How do I scale down the size from guitars? What can I eliminate? Is there much sound difference between a flat back and arched back?

    Thanks, Curt.

  2. David Says:

    Hi Curt,

    Great question. I actually have a very nice tenor uke that I purchased in Honolulu when I lived there for a while. As you may know, nearly all ukulele’s are made from koa backs, sides and tops. There are a special few that use spruce for a top and they sound nice too. As for the bracing for tops, there is about as much experimentation for the ukulele as there is for the guitar – and about as many opinions for that manner. The most basic pattern is to use 2 main braces – at the upper bout and one at the waist and they are parallel to each other and pretty much straight across. Then the tone braces are a modification of a classical guitar fan brace. There are usually 3 to 5 or anything else depending on the maker.

    I think it would be real interesting to make a ukulele based on the acoustic guitar X-bracing or even on the Torres or ramirez classical fan braces. I bet you would wind up with a dynamite sounding instrument.

    Arching a back can benefit any instrument – the ukulele included. If not for sound, it can counteract the adverse effects of exposure to dry air. Only a slight arch is necessary. For a ukulele, I wouldn’t arch more than 2mm across the lower bout.

    Thanks for the great question.
    David

    PS I am actually planning on providing ukulele plans on this site in the future. Not sure of schedule, but I will offer at least 2 different bracing styles. So check back.

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