Rough-cut the Neck – Acoustic

March 8th, 2010

Rough Cutting the Guitar Neck Source: Guitar Building Articles – The Guitar Neck Tools and Materials Required: Band Saw Table Saw & Miter Gauge Japanese Pull Saw Coping Saw Rough-cut The Neck – Acoustic Guitar: Tip: This step should be completed after you have cut your neck joint, whether that is a mortise and tendon [...]

Filled Under: Guitar Building Articles, The Guitar Neck

Acoustic Guitar Heel

March 3rd, 2010

Tools and Materials Required: Heel Restraint Jig Titebond III Glue Waxed Paper (4) Bessey or Large C Clamps Chop Saw or Table Saw Stationary Belt Sander or Drum Sander Amazon.com Widgets The Acoustic Guitar Heel: The Acoustic Guitar Heel consists of several stacked blocks of neck blank wood, glued up with specific grain orientation and [...]

Filled Under: Guitar Building Articles, The Guitar Neck

Free Floating Top – Acoustic

March 2nd, 2010

Tools and materials Required: Japanese Pull Saws Fine Dovetail Saw Wood Chisels Sandpaper 180, 120 Grit Titebond III Glue Wood Lining Blocks Small Hand Built Miter Box Acetone Wet Cloth Amazon.com Widgets Free-Floating Top Installation: Whether it is a Classical Guitar top or an Acoustic Guitar top, the free-floating top, as I call it, can [...]

Filled Under: Guitar Building Articles, The Guitar Sides, The Guitar Top

Bracing the Soundboard

January 24th, 2010

Guitar Soundboard with Bracing Source: Guitar Building Articles/The Guitar Top Tools and Materials Required: Go Board Gluing Tool Titebond III Glue Fine-Toothed Japanese Pull Saw

Filled Under: Guitar Building Articles, The Guitar Top

Guitar Back Selection

January 22nd, 2010

Guitar Back – East Indian Rosewood Source: Guitar Wood Selection Guitar Backs/Side sets offer the luthier even more option that do the guitar top plates. The reason for this is not only are guitars build from domestic hardwoods, even more often they are built from exotic hardwoods. For your convenience we have listed a number [...]

Filled Under: Guitar Wood Selection, The Guitar Back

Installing Guitar Back Purfling

January 21st, 2010

Guitar Back Center Purfling Source: Guitar Building Articles/The Guitar Back Classical Guitar Purfling As for the classical guitar, the center purfling strip is usually very conventional, it consists of a 3-part wood detail. the center portion of the wood matches the wood purfling around the guitar edges and that wood usually matches the back/side wood [...]

Filled Under: Guitar Building Articles, The Guitar Back

Guitar Back Preparation

January 20th, 2010

Guitar Top Preparation Source: Guitar Building Articles/The Guitar Back Preparation of the Back Plate: Tools and Supplies Needed: 24″ Aluminum Level Adhesive Sandpaper 220 Grit r Guitar Plate Jointing Jig Titebond III Glue 2-Part Epoxy Glue Dremel Moto Tool 4000: Portable Block Sander If you haven’t purchased your back/side sets yet or are wondering what [...]

Filled Under: Guitar Building Articles, The Guitar Back

Kasha/Schneider Bracing

January 17th, 2010

Kasha/Schneider Fan Bracing Diagram Source: Guitar Plans The Post Modern Classical Guitar – The Kasha/Schneider Bracing: So for a long time many luthiers stagnated on one of the variations of bracing that existed. Sure they experimented, but usually this meant moving the fan bracing around or trying different patterns based on discoveries of Torres, Ramirez, [...]

Filled Under: Guitar Bracing, Guitar Building Plans

Ramirez Bracing Pattern

January 16th, 2010

Ramirez Fan Bracing Diagram Source: Guitar Plans // Ultimate Guitar OnLine on Facebook The Modern Classical Guitar – The Ramirez Brothers: After Antonio de Torres died in 1892 he had left no pupils or immediate successors in the guitar making business. He did, however make Madrid, Spain the Mecca of classical guitar construction. From the [...]

Filled Under: Guitar Bracing, Guitar Building Plans

Torres Bracing Pattern

January 16th, 2010

Torres Fan Bracing Diagram Source: Guitar Plans // Ultimate Guitar OnLine on Facebook The Modern Classical Guitar: While there were many forms of the guitar that preceded his fine work, Spaniard Antonio de Torres is noted for making the most advances on the classical guitar and the results of his work are largely represented in [...]

Filled Under: Guitar Bracing, Guitar Building Plans


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